Benedikt Reichenbach presented Face Inter Face at the Whitney ISP Symposium on May 20th. Looking at implications of production and presence of digital imagery within our built environment, Face Inter Face brought together a group of artists, filmmakers, and architects, all of whom have been working with the idea of “the double” in their image-making, including work by Keren Cytter, Sharon Ya'ari, and Omer Fast. Based on the history and form of the diptych, the project aimed to contribute to a discussion of materialist production aesthetics in a time past montage, with the foundations of modernism dissolving into the stillness of high-definition.