Roee Rosen’s first solo exhibition in Ireland surveyed his practice from the complex perspective and history of the rituals and controversies around exorcism. The exhibition, curated by Lívia Páldi, negotiated alternate forms and practices of devotion, possession, and politicized demonology. It featured the series of gouache drawings Vladimir’s Night (2011–14) made by the fictive artist Maxim Komar-Myshkin; video works including Hilarious (2010), Out (Tse) (2010), The Buried Alive Videos (2013), and The Dust Channel (2016); as well as a performative lecture and new work in development, Kafka For Kids.