“Interzone” marks the largest solo exhibition of work by artist Alona Rodeh to date. Based on Rodeh’s ongoing interest in the urban environment and the architecture of light in public spaces, “Interzone” presents a new sonic and visual installation alongside computer-generated works, transforming the museum’s entire lower floor into the streetscape of an anonymous, nocturnal city. The show’s title references the eponymous setting of William S. Burroughs’s book Naked Lunch, and describes a threshold state in which the laws of physics, social commitments, and societal structures have become unhinged; an environment where danger and excitement co-exist.