Grantee

(Un)Commoning Voices & (Non)Communal Bodies
Reading International
Reading, UK
April 23–May 26, 2019
Exhibition

Exhibition

Links: Reading International

(Un)Commoning Voices & (Non)Communal Bodies is a series of workshops, performances, and an exhibition, interrogating the relationship between artistic practices and protest movements via the performative scores of collective bodies and voices.  The interdisciplinary program was inspired by the Greenham Common Women’s Peace Camp which was active from 1981 to 2000. It was established by women to protest nuclear weapons being sited near Reading at RAF Greenham Common.

Building on the conversations around creative commoning and performative knowledge production, the project aims to provide spaces for negotiating the differences between the ‘common(s)’ – the general interrelatedness of human realities, the ‘(un)common(s)’ – generative destructive dynamics – and the ‘(under)common(s)’ – the less socially visible aspects of organization and interaction.

They ask: what do hegemonic scores look like, and what would alternative or activist scores sound like? Can voices and bodies undermine fear and invite empathy? Can the repetition of darkness create light?  How do we, as individual subjects, participate in these collective acts, or refuse them?

Participating artists: Zbyněk Baladrán, Zeljka Blaksic, Susan Gibb, Marco Godoy, Chto Delat/Dmitry Vilensky, Noam Inbar and Nir Shauloff, Jamila Johnson-Small/Last Yearz Interesting Negro and Fernanda Muñoz-Newsome, Mikhail Karikis, Tali Keren, André Lepecki, Florian Malzacher, Public Movement, Michal Oppenheim, Rory Pilgrim, Yvonne Rainer, Edgar Schmitz, Jack Tan, Nina Wakeford, Catherine Wood, Sara Wookey and Katarina Zdjelar.

Curated by Maayan Sheleff and Sarah Spies.

Share